
The Blue Yeti microphone
is a great sounding condenser microphone. Intended for those who want to sound
as close as possible to professional studio grade microphones, the Blue Yeti is
the best sounding microphone that isn’t going to cost an arm and a leg. The
Blue Yeti is a USB powered condenser microphone. This microphone is typically
used for people who are starting out on YouTube doing “let’s play” videos in
which a person commentates on video gameplay and through the commentary gives a
feeling of comradery towards the viewer. It is also greatly used for people who
are just starting out with music, voice acting, and podcasts. Because the
microphone is relatively small and comes with a removable desktop stand, it
also becomes a great portable microphone.
The exterior of the Blue
Yeti gives a very professional look with its grey paintjob and desktop stand. On
the front of the microphone, indicated by the “blue” logo, there is the mute
button and the headphone volume knob. On the bottom of the microphone there is
the USB power import, a 3.5mm headphone port, and a screw if you want to mount
the microphone on standard microphone stand. On the back is knob for the gain control
and another small knob for switching the sound pattern modes. It has four modes
that have very specific uses when recording audio. There is stereo setting,
which allows audio to be recorded from the front and sides of the microphone,
allowing refracted sound to bounce from behind. The second is cardioid, this
allows sound to be recorded from the front of the microphone. The third is
omnidirectional, which allows for sound to be recorded from all sides of the
microphone including the back. The last pattern is bidirectional, which allows
sound to be captured from the front and the back of the microphone to be
recorded. Overall the Blue Yeti microphone is very user friendly, even the user
manual is easy to use, and even gives advice for getting the best audio quality
possible.
The only two small flaws
with the microphone are that it is very sensitive to the sound and the desktop
stand’s rubber bumpers tend be vibrate, even when placed on a rubber mousepad
for support. The sensitivity of the microphone is a bit of a double edged
sword, on the one hand you need that sensitivity and have control over the gain’s
sensitivity. On the other hand, if the environment you have isn’t ideal,
without any noise in the background, the microphone will pick it up.
The solution to the
sensitivity would be to simply get padding for the environment and to lower the
gain as much as possible without losing the essential audio for your audio track.
The vibration of the mount can easily be solved by removing the desktop mount
from the microphone and screwing the microphone into a proper microphone stand
or boom mic arm.
Since the launch of the
Blue Yeti microphone there have been four other microphones. There is the Blue
Snowball microphone, a cheaper, somewhat lower quality microphone used for
those on a budget. There is the Blue Yeti Blackout, which is a black version of
the original Blue Yeti with a foam bottom instead of a rubber. The Blue
Snowflake is a very tiny microphone which is meant to be extremely portable and
have a decent audio quality. Lastly, the Blue Yeti Pro, has the same
capabilities of the original Blue Yeti as well as the added feature of a socket
that allows you to use external recording equipment instead of just reverting
to software which can cause a delay while listening to the audio live as it is
being recorded.
No comments:
Post a Comment